Who shot first isn't as important as whose shot looked sexier.Īnd lest that sound like a deterrent, I assure you it isn't. Gangs Of Wasseypur II is a damned sight better than the first part, because a lot of the cumbersome subtext is already out of the way when the impressively visceral khoon-kharaba of the second film begins. Having dispensed with the potatoes, this film's pretty much all meat. Part of this is because Kashyap, in pulling out all the stops, seems content here to let his madcap characters actually enjoy themselves a great deal, making for a far sillier - and decidedly more joyous - cinematic universe. His badlands have now more puns than guns, and there is much ludicrousness on offer. Everyone's having a blast (often literally) and while these savage characters inexplicably decide, after a while, to hold off on the actual revenge angle of the saga, the digressions are often written, performed and shot with enough ingenuity and cinematic panache for the story not to matter. This one's a ride - albeit not one for the queasy of stomach or the impatient of bladder. Manoj Bajpai, patriarch of the first film, is gunned down a la Sonny Corleone, his sudden death immediately turning his eldest son, Danish (a compellingly great Vineet Singh) into a slaphappy Sonny himself. Younger brother Faizal, forever crafting a mix for his chillam, couldn't care less until events - and a scornful mother - jolt him out of stoned apathy. It is here that we see the uncaged intensity of Nawazuddin Siddiqui, alone reason enough for this film to be celebrated. With the ruthlessness of a pissed-off panther, Siddiqui's Faizal goes on the warpath, a natural despot softened only when rushing towards his voluptuous lady.
When on the Three:Ten To Huma, so to speak. The women are as important to the proceedings as the men, if not more, even if deprived of screentime. #Gangs of wasseypur 2 full movie movie#.
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